With very little warning, Kilauea erupted a couple days ago…big time.  All of the action is inside of Halema’uma’u.  It started with three fissures opening inside the crater and poured out enough lava to evaporate the sizable acidy lake at the bottom of the crater in just about no time, fill it in with lava that is now over 500 feet deep and something like 70 acres of surface area…and the initial activity threw up a plume some five miles high.  We are pretty excited.

There is no lava running on the surface…to hike out to…anywhere on the island…yet.  You can not see the lake from any of the viewing areas…but you can see the glow as in the photos from several spots…safe spots for viewing.  It is quite a show.

Two downsides…the crowds have been unbelievable.  Stop in the gallery if you are on island and CJ, Linda or I will help you put together a plan for minimizing the crowd problem…we have it figured out.  Two nights ago, the line of cars trying to park at the Kilauea Overlook stretched all the way to the park entrance.  The Jagger Overlook area remains closed due to 2018 damage.  Other viewing spots include the area around the steaming vents, the area behind the still closed Volcano House and the area overlooking Kilauea Iki.  Hiking out to look straight down into the crater…don’t…illegal and too darn dangerous at the moment…not worth it.

The second downside is that the vog is back…sorry…no more beautiful blue skies for the moment.

No telling how long this event will last…but it is a good one at the moment.  We hope you get to see it.

On the photo above, I caught the vent and the conjunction of Jupiter and Saturn…dots of white in the blue sky area on the top right corner of the photo.  Not the big spectacle you might hope to see with a huge telephoto, but something unique that I may never get to see in a life time…a conjunction right next to an erupting volcano.  The other photo was taken last night at Kilauea Iki.

Happy holidays.  If you are coming to the island and want some up to date info, call me anytime at 808 9388383, remembering that Hawaii time is probably several hours earlier than your location.  If you have lived here, you know why I mention that.  One of my favorite neighbors from our old neighborhood in the Chicago area called me one morning.  He said “Don, you don’t sound your normal cheery self.”  He was right about that…it was 8 am in Chicago, but 3am here.  I was not cheery.

But I am cheery this holiday season…and sure hope to see you soon.  Aloha to all and thanks for your support even during these trying times.


From Don Hurzeler for all of us at Lava Light Galleries, Inc.






Update on the Gallery in Waikoloa…Open and Ready for Business

Still lots of unknowns and barriers to travel here in Hawaii.  However, we are seeing more and more visitors each day…thankfully.  Covid number on this island have been quite low recently.  Businesses are starting to open up a bit…with quite a few still closed and a number that will never re-open…done in by the pandemic.

Whale season is off to a slow start.  I’ve spotted a few and we did have an estimated 150 sperm whales roll through recently.  My wife and I have been lucky enough to get in with two different whale sharks off Kona in the past month or so…life is good.  Water is warm and weather has been great.

We are open seven days a week.  Our core hours at the moment are 10-5, but they will lengthen out as we get closer to year end.  We hope to be back to standard hours soon.  If you find us closed and want more info, call me (Don)  at 808 9388383 and I will let you know how soon we can be in the gallery.

Got to say…we miss our regular customers.  However, “normal” has to return someday and we plan to be here when it does.

Happy holidays to one and all…and Aloha.




Are You Don?

CJ and his buddy, Nick, founded this gallery.  My wife, Linda and I, were basically students of the founders and graduated to partners after a long period of apprenticeship.  Happy to say, we can now hold up our end when it comes to photography.  Nick is off on his own venture in Colorado and CJ, Linda and I get to offer our images up for your consideration.  We love it.

When Covid does not have us locked down, we advertise extensively on local radio.  So, every now and again, someone comes in…walks up to the old guy (that would be me) and asks “Are you Don?”  My answer is always the same “I’m what’s left of Don”.  At 73…the statement is more true than I would care to think about.

I’ve been a writer almost my entire life…one liners for comedians, speeches, columns, articles and books…a half dozen books of my own and many more in association with other authors.  I’ve had such a crazy life that I wanted to share it…so I wrote a book about my adventures…and gave it the title What’s Left of Don.  It came out in July and was at the top of the Amazon list of top new releases.  Just this week, it hit number one best seller on Amazon.  Truth in telling…Amazon rates things in categories and I am at the top of the category they put me in…and a win is a win.  I am a happy camper.

So, it is on Amazon and Kindle.  It is full of humor, danger, adventure and just plain insanity.  I wrote it during the pandemic and found it impossible to get anyone to review it…the New York Times critics admitted that they were just throwing away submissions.  So, I wrote the reviews myself and they are glowing.  There is even a review by Mahatma Gandhi and he has not endorsed a book since his death in 1948!

CJ is often the star of my stories.  Lots of lava stories…shark and croc stories…and inside gossip on some of the top celebrities I’ve hung around with in my life…like Little Oscar and his Weiner Mobile…just to drop a big name right off the bat.

Pick up a copy when you can.  What’s Left of Don by Don Hurzeler on or Kindle…or in our gallery.  I promise you it will have you laughing and give you an insight into how we get the images we get…and it is not always pretty.  One of the chapters has the title Turd Drops Three Stories into Circle of Friends….that right there should tell you this is not your average book.

Book coverer photo by CJ Kale on the very first day we met him…and the very first time we hiked out with CJ and Nick to the very active lava field.  Additional details are at







Lava Light Lessons #37…Think Before You Shoot.

Not sure that CJ has ever put it exactly like this,  but a lesson he is always teaching is “Think about the shot you want.”  He is not big on just establishing an average type setting, pointing the camera and pushing the button.  Think the shot through first.  What do you want out of the shot?

A mental check list might look like this…

Is the sun where you want it…hopefully at your back?

Do I want the subject in perfect focus and the background blurred?

Do I have the subject in one of the thirds…is the composition right?

Do I want to expose for the sky and let the foreground be a bit underexposed?

Is there anything sticking in from any side of the frame that will detract from the shot…like a branch of a tree?

That sky is kind of grey…do I want to minimize it in the shot and get more foreground?

Is there some kid running across the shot?

All of this can be done in a few seconds…but it needs to be done.  Too many shots turn out average because you or I did not take a moment to think about how we can make the photo the best it can be.

On the attached owl photo I had these shot thoughts before I took the photo…

Is his face in the sun so I can get the color of those beautiful eyes?

Can I get in close enough with my lens or by creeping up on him to basically fill about 25% of the frame with the owl without having to crop the shot to do so?

I want to blur the background…so I need an aperture that is wide…in this case, f/6.3.

Am I blowing out any of the background…over exposing it?

Most importantly…are the eyes in perfect focus?

As soon as I saw the eyes…click.  Got the shot.  Again, the whole process need only take a few moments…but those moments are important.

Hope that helps.




Don Hurzeler




















The Crab and the Leaf

A crab and a leaf sailed out to sea.
Because of the current, the whole trip was free
They floated together, enjoyed the ride
With the leaf on the surface and the crab by his side.

The two are quite different, a leaf and a crab
One is pretty and pink
The other yellow like a cab.

Yet they rode the same current, gave each other space
And got where they were going, not even a race.

Just a crab and a leaf
Out for a float
Gave me something to photograph
And something to wrote.

Don Hurzeler…July 11,2020

Our Current Situation During the Corona Virus Lockdown

Our Waikoloa Lava Light Gallery is closed until the local government tells us we can re-open…and then we will also evaluate (as best we can) the safety of our employees, our customers and an ourselves, before we actually re-open.  However, we WILL re-open when the time is right…looking forward to that day.  We built a proper business for ourselves and prepared financially for days like these and we will be just fine.  That said…none of us can say for certain what any of our futures hold.  We are planning for a good outcome and will adjust as needed.

In the meantime, our online business has been busier than usual…not dramatically better…but some better.  We are appreciative for that business.  During this coming week we will put together an offer to make it easier for you to bring Hawaii to you…since it is about impossible for you to come to Hawaii at the moment.  More to come.

We miss you…not just your business…we miss YOU.  Your visits with us in our gallery give us a chance to show off our latest photos, tell you our ever changing stories about how we got those photos, renew friendships and give us a chance to hear what you have been up to.  Don’t get me wrong…we love to make a sale or two along the way, but the gallery business is a personal one and our customers are Ohana (extended family) to us.  We miss you.

Wishing you and yours and us and ours the very best of health and health outcomes in the days ahead.  Aloha.


C.J. and Amanda Kale and Don and Linda Hurzeler




Lava Light Lessons #36…Underwater photography

This one is about the basics of underwater photography…the very basics of it.

-Never bother to try to get a shot with one of those disposable cameras they sell you on boats…complete waste of time and money.

-Keep the sun to your back.

-Get close to the subject. All great shark shots, for example, are taken really close to the shark. My dolphin shots below are taken within feet of the dolphins. The more room between your camera and the subject, the more ocean junk will be in your photos…and there is more of it than you suspect.

-Animals in the ocean are moving surprisingly quickly. I try to shoot at 1/750th of a second or faster…up to about 1/2000th.

-The deeper you go, the more color you lose in your shot. The great color is in the first 15 feet.

-Stay calm…thrashing around causes bubbles and they will get in your shot. Try not to let a shark grab you and shake you, you will lose the horizon in your shot and, perhaps an arm.

-For little animals you need a macro lens…like a 65 or 100 mm.

-for bigger animals, like a dolphin or manta ray, wide is better. I shoot a 15mm fisheye or an 18mm prime lens.

-Look for unique. Try to get your shots of an animal doing something…playing, jumping, biting, eating, mating…something.

-have your head on a swivel. I am constantly checking around, over and under me, to see what other animals may be joining in on the fun. A shark surprise is not a fun surprise.

-stay calm at all times and fire away. I love underwater photography and bet you will, as well. Aloha.

Lava Light Lessons #35…Editing Night Shots

Editing night shots gets a bit tricky. A couple of hints…

-The clarity, sharpening, white and exposure sliders in LightRoom will all bring out more stars.

-If you are seeing blue stars and they bug you, desaturate the blue slider in LR and it will turn them white.

-Use a great noise reduction program on your high ISO shots. I use Topaz Noise AI and love it. Hit one button and it will leave you with an image that does not look too smoothed.

-Blow your photo up large to check for things…things like little white dots in the black are of the foreground…that is ISO noise and has to come out. Try pulling back any exposure you have added or any shadows you adjusted or any saturation. If you can not get rid of it, black it out with a brush in LR. Look for those dots in the trees and rocks as well…you don’t want them in your shot.

The hardest thing is to get the coloration right. Where I live, the heart of the Milky Way often has a brown coloration to it. I try to leave it as is. If you saturate your photo heavily it will look really fake. Go with natural.

We strive for editing the shot as it was shot…nothing added nor taken out. However, if a plane streaked across the sky as I took the shot and left a red and white line…I promise you I am taking that out…unless I have a similar shot I can use without that distraction. Be careful, because taking stuff out can get to be a bad habit and many contests will not allow it…and they will catch you when you are required to send them the RAW file.

One last thing to ask yourself…Is there something unique about this shot or is it just another shot of the sky? Strive for the unique. In the unique shot below, I have the two vents of the Hawaii volcano casting up lava light, the Milky Way and the foreground tree cast in red..from the passing lights of a car hitting its brakes on the way down steep Mauna Kea. Uniques sells and this one has been an earner for a long time. Aloha.

Lava Light Lessons #34…Night Photography

Not about astro or deep sky photography…not my expertise.

More about Milky Way photograph or “sky at night” photography.

Some basics…

No tripod…no shots.

The higher you are on a mountain, the clearer the shot is likely to be…depending on weather. Dress warm and always take a flashlight…real warm.

Planning is the key to Milky Way and night sky photography. You are unlikely to get a good night sky or Milky Way shot if the moon is up or if you are near city lights. Check the weather, moon rise and set and the phase of the moon before you go. Try to shoot when and where it is dark and clear.

Look up also where the Milky Way will be through out the night. For example…in Hawaii the Milky Way arches over the horizon starting in mid February. By June it is above your head and beautiful. You can continue to shoot it in various parts of the sky through about October…sometimes as an arch and sometimes as a dagger…see the shots below.

If you want the sky to be blue, shoot starting at about an hour prior to sunup. Otherwise, the sky is going to be black.

My basic set up is a wide lens…14 to 16mm and the brighter the better. My current favorite is a Canon 14mm f/1.8…it is a beauty. I put that on a Canon 5D Mark 4 or I shoot at 16mm on a Sony a7R4. Those model numbers are about obsolete the moment I hit the “Post” button…but they are fairly high megapixel cameras that have good dynamic range. Just saying…the better the camera, the better the shot…if you set it up right.

I am 100% of the time on a tripod. I also use a cable release so I can not shake the camera when I hit the button and also so I can lock that in to take one photo after another. We do that often to increase our chances of getting a meteor in the shot.

I shoot anywhere from 30 seconds down to 10 seconds, almost always wide open…in the case of my f/1.8 lens I shoot it at 1.8. I shoot at ISOs of 800 to 3200…with most of my best photos coming in the 800 to 1600 ISO range.

I place my remote trigger on two second delay to take out as much shake as possible.

By far the trickiest part is to set your self up with perfect focus. It will be too dark to auto focus, so I chose a foreground element, like a tree or rock, that is maybe 20 feet away..light it up with a flashlight and get perfect focus with either auto or manual focus…and then lock in that focus setting by pulling the little lever back to Manual focus…so I does not change the focus on you. Experiment with that…you want the foreground element in focus but you REALLY want the stars to be in pin point focus. Takes some experimenting.

Some hints that make all the difference…all learned the hard way…

-clean the front glass on your camera often during the night. Water accumulates on it and turns your photos to look out of focus. The wetter the evening, the more you want to clean that front glass.

-look carefully at your image after you took it…blow it up and check out the focus. I do that about every fourth shot. I have whole evenings ruined because I thought I was in focus and I was not. Find out while you are still in the field and adjust as needed.

-there is no perfect set up. Experimenting is the key. I shoot a variety of settings during an evening, just to learn what they will do. Over time you will zero in on a few that work best for your conditions.

-Don’t shoot over 30 second exposures unless you have a fancy set up that follows the star movements. Over 30 seconds and your pin point stars start to look like commas.

-be considerate of others near you. Don’t wave around a laser. Don’t wave around a flashlight or your head lamp. Don’t think your red light will be ok in the shots of others. Do communicate out there “Hey, is anyone currently shooting?”

-Try not to move around much. Where I shoot it is as dark as the inside of a cow. I have seen or caused countless tripods and cameras to crash to the ground…each one an expensive and maddening experience.

-Try to get at least 100 shots for the evening. They will not all be winners. Change the composition from time to time.

-I never use a flash on a night shot…but might strobe or light up a foreground element with a flash light. Take experimentation and coordination with those around you. Try it. The vertical shot below is an example of one I lit up with a flash light and it won me First Place in big contest by Outdoor Photographer Magazine.

-Shots that just show the sky…worthless to a landscape photographer. Have some foreground element in the photo…something that is not going to wave around much if the wind is blowing. Leafy trees…not so good. Dead trees…now we are talking.

I will touch on editing night shots next post. Aloha.